今年以来第二次为一部爱情片(婚姻片)些影评,前一部是《婚姻故事》。
刚开始认为剧情内容的素材很稀少才决定下载观影。
看了第一幕(可以看做是一部话剧)就被吸引,傻傻坐在银幕前看两口子吵架吵了一个多小时——获奖感言少了感谢老婆的后果,哈哈。
一攻一守,反攻反杀,我们国人夫妻基本上是不会上演如此好戏的,暂且不去评论西方演艺圈混乱的生活(都差不多),就看他们沟通的方式和角度,足以惊诧和感慨。
一部好戏,黑白片又衬托了一种不现实感和纯粹感,最后显示名字:malcolm and marie,我理解为男人和女人,同样M开头,极具男女特征。
哦!
我想起来了因为婚姻故事里的两位也是搞艺术的艺术家。
也不是没有道理。
看到搞艺术的吵架就觉得都是一回事。
婚姻故事里的吵架是夫妻间的矛盾跟他们搞文艺的身份没有关系。
唯一有关系的就是过于矫情。
这部电影的重点是婚姻,他们两个人的结局是虽然分开但是是一种融合的关系。
而这一部不同,它透过艺术创作者的身份深层探讨的是人性,就算同床共枕是不能融合的关系。
我知道,说了你也不懂。
这部作品骂了电影人骂了影评人骂了电影行业唯独没有骂影迷,我来补上(:
《马尔科姆和玛丽》这电影还是挺有意思的,不过蛮多专业影评人可能都能感觉受到了一些冒犯,虽然本片的主干还是夫妻俩人的斗嘴,但是俩人对于带着刻板印象媒体的嘲讽倒是同仇敌忾,没有分歧。
情感部分的争吵看得我还是挺尽兴的,因为我就是个粗人,不会吵架,看他们吵架时妙语连珠也是一件新鲜事。
但是提到影评人这一块,自己就忍不住往上面凑,电影里面讲了蛮多,印象比较深刻的就记得几个:用公式化的方式去评判电影而没有真正理解电影,对电影一知半解以至于在评论电影时只能高谈阔论,对于电影的出格评论只是为了博取点击率,因为没有什么比让人作呕更有吸引力。
好家伙,我感觉自己被看了个通透,影评写得越多,某种模板就会慢慢生成,根据起承转合的模板去写影评,规规矩矩不会出错,但是往往电影中想要真实表达的情感,我没有领悟到,也无法通过影评让读者感受到,这是一种困境。
然而你会知道,电影看得越多,对于那种相对平庸的电影就越生不起感觉,所以其实绝大部分的电影,我无法感同身受,但是影评总还是要写,于是就规规矩矩去写,莫得感情。
我自己归根到底,是因为这电影不够优秀,但是总会有读者留言夸赞说这电影太棒了太棒了,感动到落泪这个样子,让我每每都会疑惑,他们究竟是因为拿了钱所以说出违心的话,还是因为欣赏水平确实不行,亦或我太冷漠?
这,俺也不知道啊。
另一方面,高谈阔论这毛病其实谁都有,尤其是当你自认为对这个领域有那么一点了解时,掉书袋基本是不可避免的,遇到漫威DC电影电视剧总是不能离开漫画原型,改编自原著,改编自某故事自然也要追根溯源一下,这东西,倒是没错,但搞多了就喧宾夺主,反倒会误了电影本身的意味。
最后,那不就是标题党和用黑点制造话题吗,标题党我平时搞得不多,至少没有那种很恶心的标题,但是今天我一瞧,我这标题不就是有点出格,大家点进来都想看看我讲的“真话”是啥,没想到说了那么多废话。
那么真话,其实就那么几句,看的时候的随想,一点儿也不加修饰,没有高谈阔论的那种:赞达亚激凸了。
赞达亚激凸得好厉害。
你们倒是干啊,非要破坏气氛是吧?
你们亲亲搂搂抱抱半天不脱衣服?!
赞达亚真烦人啊,每次关键时候就掉链子。
上面就是我的真心话,绝无半句虚言。
翻译在原中文字幕的基础上做了一点点改动([Malcolm] Are you fucking kidding me?你他妈在搞笑?
Are you kidding me, ma'am?你他妈在逗我?
Are you fucking-- In the next line!你他妈——还有下一行Oh, shit! Oh, shit!妈的!
妈的!
She says it's a "genuine masterwork."她说这是一部“天才之作”A genuine fucking--他妈的天才——I can't read this fucking shit anymore.我读不下去这垃圾玩意了It's too fucking moronic.他妈的太傻逼了The fact that the LA Times will hire such a fucking halfwit is beyond me.我完全不能理解《洛杉矶时报》为什么会雇这种蠢人First, she says that I brilliantly subvert the white savior trope.她一开始说我出色地颠覆了白人救世主的套路She is a savior. She's trying to save her,女主角就是救世主,她在拼尽全力拯救自己so how the fuck did I subvert it, lady? How?所以女士,请问我他妈到底怎么颠覆了套路?
You wanna know how?你想知道吗?
It's because I'm Black!答案是因为我是黑人!
If I was white, she would've said I fell for the trope.如果我是白人,她就会说我掉进了这种套路But because I'm a man, she can question my intention可因为我是男的,她又可以质疑我的意图saying that I'm revelling in the trauma of a woman.说我沉迷于一个女人的创伤经历"Better implied than depicted." “暗示比明示更好”The fuck out of here! Why?我服了!
到底为什么这么说?
Because Taylor took her shirt off?就因为泰勒在那场戏里脱了衬衫?
[Marie] I'm sure she just doesn't think that the nudity was necessary.我想她只是认为那幕裸露没有必要[Malcolm] None of it is necessary, Marie.这不是必要不必要的问题None of this shit is necessary.因为什么都可以说没必要Movement, blocking, lighting, fucking digital versus film.动作、调度、灯光 他妈的数码和胶片的选择This cut here, that cut here.这个转场 那个转场Let's pan. Two-shot. None of this shit matters.摇镜头…这些东西通通不重要It's all about what you want.重要的是你想表达什么But my fucking problem with her before she even wrote this dumb-ass, bitch-ass, pussy-ass review is the same after readin' this cock-sucking, motherfucking, dog-dick review.在她写这篇他妈愚不可及的影评之前,我他妈就对她有意见读完这篇他妈狗日的烂得冒泡的影评之后,我对她的意见和之前一样She's not looking at the film.她根本没在看电影The ideas in it, the emotions, or the craft.电影的主旨,情感,或是技巧Cinema doesn't need to have a fucking message.电影不用传达什么他妈的态度It needs to have a heart and electricity.它需要用心、需要感染力Morons like this sap the world of its mystery because they need everything spelt out with fucking A-B-C blocks.像她这种蠢货消弭了世界的神秘性,非要把话说成大白话他们才能听懂And they're terrified to embrace anything potentially dangerous他们害怕接纳任何潜在危险的事物because they're trying to predict the culture.因为他们总想要预测文化This fucking bobble-head shouldn't be writing for the LA fucking Times.这傻逼不应该给他妈的《洛杉矶时报》写影评She should be holding smiling sun placards for the local news because all she is, is a motherfucking weatherman!她应该给地方新闻举那种印着微笑的太阳公公的布告牌,因为她完全就是个他妈天气预报员!
Or weather woman. Whatever.或是女天气预告员,管他妈的[Marie] Malcolm.马尔科姆[Malcolm] What?怎么了[Marie] She did call it a genuine masterwork.她确实说你的电影是“天才之作”[Malcolm] I don't give a fuck!你看我他妈在乎吗!
Unlike her, at least I'm consistent.不像她 我至少说话前后一致You can't hang everything on identity.搞评论不能总是什么都拿身份说事You can't say that I brilliantly subverted this trope 'cause I'm Black,你不能因为我是黑人,就说我出色地颠覆了套路but I fell into this one because I'm a fucking man!同时因为我是男的又说我掉进了这个套路!
Identities are constantly shifting.身份在不停地变化Does the male gaze exist if the filmmaker's gay and not straight?如果导演是男同而不是直男,那男性凝视存不存在?
And to what degree? What if they're asexual?又到什么程度?
如果他是无性恋呢?
What if they're transitioning and you don't even know it?如果他在变性,而且你不知道 又怎么说?
You can only look back at things and wonder what the fuck it all means!你只会事后穿凿附会地胡乱诠释I mean, why did Ben Hecht and Selznick, 拜托,本赫克特和塞尔兹尼克two fucking Jewish men, spend so much time on Gone With the Wind?两个犹太男人,为什么要花这么多时间拍《乱世佳人》?
To this day, no one can explain to me why the fuck Billy Wilder made Spirit of St. Louis and lionized that Nazi bastard Lindbergh, huh?直到今天都没人能跟我解释为什么比利怀德要拍《林白征空记》吹捧林白这样一个纳粹王八蛋Or why Ida Lupino loved film noir and fucking violent men.为什么艾达卢皮诺喜欢黑色电影和暴力男性?
Why Ed Wood wore fucking panties?为什么艾德伍德要他妈穿女式内裤?
He wore panties and made B films about fucking space aliens.他穿女式内裤拍关于外星人的B级片!
Or Elaine May was fascinated with emotionally stunted men.为什么伊莲梅对情感发育不良的男人着迷?
I mean, did she see herself in them?是因为她在他们身上看见了自己的影子吗?
Did she hate them in real life, but wanted to get to know them through the work?还是因为她生活里厌恶这种人,但想通过工作了解他们?
The fact that Barry Jenkins isn't gay, is that what made Moonlight so universal?巴里杰金斯不是同性恋,这是《月光男孩》具有普遍性的原因吗?
Or was being gay the reason Cukor empathized with women more than men?乔治库克是同性恋,他对女性比对男性更能共情是因为这吗?
It's all a mystery is the point!这些神秘不可解之处才是重点!
What drives a filmmaker? What drives an artist?驱动电影人的是什么?
驱动艺术家的是什么?
I mean, why did Pontecorvo, a fucking rich Italian Jewish man…拜托,彭泰科沃,一个有钱的意大利犹太男人…Why did he fucking feel such a kinship to Algerian Muslim guerrilla fighters that he fucking made Battle of Algiers?为什么会对阿尔及利亚穆斯林游击队员感同身受,以至于要拍《阿尔及尔之战》?
A fucking classic! Tell me that!这是他妈的经典电影!
谁能跟我解释?
Can you tell me that? Fucking Karen!你能解释吗 ?
他妈的凯伦?
Can you tell me that? You can't, can you?你能解释吗?
你不能,是吧?
Because why? 'Cause nobody knows!为什么?
因为没人知道答案!
Who the fuck knows? Who the fuck knows?谁他妈知道?
谁他妈知道?
Why did I shoot the scene the way I did?为什么我要那样拍那场戏?
Is it because I'm a man? because I'm straight?因为我是男的?
因为我是异性恋?
Is it because I'm desensitized to violence因为我对暴力麻木不仁?
or is it because I believe that if you witness trauma onscreen, the audience should also feel that fucking trauma?还是因为我相信,观众如果在银幕上看见受创伤的过程,就能够对创伤感同身受?
That is the mystery of art. Of film. What drives someone to make something and fucking say something.这就是艺术的神秘之处,是电影的神秘之处,是一个人创作一样事物,说某句话的动机。
Now, you can criticize this system, which, like every fucking system, is white as fuck, and in our business, fucking male and white as fuck!你可以批评这个体制,因为它跟所有体制一样,白到亮瞎眼,我们的电影行业被他妈白人男一手遮天!
I mean, goddamn!妈的!
I've been waiting my whole life,我等了一辈子 I've been askin', "Where the fuck are all the Black filmmakers,我一直都在问,“天下的黑人电影制片人都去哪儿了?
”'cause I'm gettin' sick and tired of these little British boys我真是烦透了那些英国人runnin' around here all in they feelings trying to overcome a fucking birth defect to save the fucking Queen from Hitler."整天琢磨着要怎么克服天生缺陷,去保护女王不被希特勒伤害Just do me a fucking favor, all right?就当帮我个忙,行吗?Ban every fucking film with a postscript, and we'll be good.把有后记的电影全都禁掉,这样我们就能长进一大截We'll be fucking great!他妈的好一大截!
But to write shit like this?但写这狗屎影评?
To write this bullshit?满篇胡说八道To box people in来束缚观众的眼界because you don't have the love of film,就因为你根本不热爱电影because you don't have the mind to critique the form, medium, technique.因为你根本不够格,你没有批评形式、媒介、技术的头脑You don't have the words to describe the emotions你缺乏语言来描述电影的情感or too much fear that you're not gonna get clicks,你害怕文章没有点击量or too much fear that the mob's gonna turn on you.害怕被键盘侠围攻Fuck you for inhibiting the ability for artists to dream about what life may be like for other fucking people.去你妈的!
你打压艺术家的想象力,剥夺他们想象别样生活的能力Fuck you! Twice! With a sick cactus dick!Even if you come up short, even if you could do better, fuck you!就算你只是没做到够好就算你能做得更好 去你妈的!
You're the reason they make this stale, safe, stagnant turgid shit in the first place!就是因为有你这种人,他们才不肯冒险,才做出了陈腐、停滞不前的烂货!
You're the reason! Not me!你才是罪魁祸首!
我不是!
You're the reason!你才是罪魁祸首!
I mean, you should be fucking bold!你他妈才应该大胆一点!
You should be fucking reckless!你他妈应该无所畏惧!
People should be fucking reckless!人们应该无所畏惧!
They should be yelling at the top of their lungs!他们应该扯着嗓子喊!
Hey, Karen! Hey, Al!喂!
凯伦!
喂!
阿尔!
I hear you, and I don't give a fuck!我听见你说的话了, 但我他妈的不在乎!
Because they're not gonna get any better until they start rebelling against this purist, moralistic, academic nonsense 因为如果我们不拿出斯派克李拍《为所应为》时反抗白人霸权制度那样的勇气,in the same way Spike Lee rebelled against the white system when he made Do the Right Thing.去反抗如今这种讲究完全正确的说教式学术废话,我们就不会有任何进步Normally, I wish death upon someone like this.要是平时我遇到这种人Someone who lacks the fucking imagination like this.这种缺乏想象力的傻逼,我会诅咒她去死But instead, I'm gonna pray fucking hard,可今天我不,我要他妈使劲祈祷the way my mama taught me, that she gets fucking carpal tunnel,像我妈教我的那样,使劲祈祷她得腕管综合征until her hands atrophy and cramp直到她的手萎缩抽筋and she can no longer write nonsensical fucking garbage like this anymore!叫她再也写不出他妈傻了吧唧的胡扯影评!
I like it. From a movie's standpoint, it reminds me a lot of Marriage Story. I love the overall delivery, despite the unrealness of some taxing tirades (they don't seem like the way a real couple would argue - no one would do such a long monologue without being interrupted, but again, what do I know lol). I also think despite Zendaya's top-notch performance on the white fur carpet, when a drop of tear fell from her eye, that part was quite unnecessary - she would have let out that difficult question way earlier in the argument because it stood SO CENTRAL in the whole thing. Her performance is so natural and *authentic* throughout the whole movie, we all felt heart-broken and unstable just as she did. I especially like the part when she wanted to express her twisted feelings by playing Dionne Warwick's "Get Rid of Him" to Malcolm. That was so awkward and cute and makes my tummy warm.I blame my dislike of the 30 times of "thank you" speech on Sam Levinson, not her. That was poorly written. But in that mawkish speech, I liked these lines:Your lack of curiosity is merely an extension of your narcissism, your megalomania, your egotistical view of the world. As a result of never doubting yourself, you never stopped to ask yourself, 'How can I be a better partner?' ... The man I'm looking at right now is as good as he's gonna get.John David Washington always looks very pissed to me, his piercing eyes make every glance he gives condescending, almost denigrating. ughhh after watching his Tenet and this, I still can't make my mind up as to whether he is a good actor.Also the cinematography of the movie must be one of my favorite of all times. The perfect black-and-white, perfect degree of grains, those long shots, the clever deft use of mirrors, and music - all played by the characters themselves on their own phones! So fun.Sadly this is one of those movies that you feel so strong of the presence of the director/screenwriter himself that you lose the real point of the movie. Overall I like it, but I won't watch it again because some of the tirades are very stomach-twisting. The most valuable/salable takeaway/lesson learned about black movies (which is what sparked 50% of the arguments): "white critics approaching black art through the lens of importance rather than black art being important in of itself". However, this message has been undercut by the megalomania of the director himself.
我的评分:7.1影评:黑白电影,董董老师推荐的电影。
老师说好的电影,我一部不落都必须要看原片。
跟着高手学习,自己才能尽快的成长。
影片从头到尾,俩人在吵架。
当白人女记者写完影评之后,马尔科姆那大段吐槽和谩骂,淋漓尽致,那个氛围我能感受到。
影片最后马丽的一大段话,也堪称经典,女人要的并不多,只是一句谢谢、一句我爱你。
影片展现的是两个相爱的人怎么去沟通?
怎么能够在战斗中守住最后的底线。
不去恶意攻击对方,让爱能够维持。
若爱了就好好守护,不爱了就及时放手。
〈Malcolm & Marie〉译为《马尔科姆与玛丽》,这部电影几乎以舞台剧的表演形式呈现了人生一小段无法自洽的时间。
片中电影创作者Malcolm和女友Marie下班后一个半小时的对话,无论是说服与不被说服,还是压制与反压制,都不过是试图在情感关系中寻找到自己稳固的被爱的位置而已。
Marie总是在这段情感关系中寻找被Malcolm需要的时刻,她希望Malcolm镜头下的故事完全是由自己作为原型构成的,她希望Malcolm在做任何事时都需要她的意见,是啊,好像我们总以为交换之下、获益之下才会产出源源不断的情感,好像我们真的搞砸了一切,不安、困惑使我们把自己和更纯粹的情感分割得越来越开。
而Malcolm对Marie的控诉的回答让我想起了很多年少时才有的爱情,它好像始终飘在天上,但从没人怀疑它是虚无飘渺的,也没人叫嚷着要求它落地,这样大家才安心。
Malcolm说,如果我不需要你,我为什么要和你在一起,你想掌控我们的关系,因为你不能想象我和你在一起的原因只是因为我爱你,不是因为我对你有需求。
这个世界上有人只是纯粹爱你,我爱你的思维方式,我爱你观察世界的方式,Marie。
但Marie无法被说服,Marie无法自洽,她永远精力十足地去寻找那些彼此情感没有落地的瞬间,Marie也没什么错,也许成年人的世界里,就是时刻会和自己无法安心地坐在云端这件事做拉锯战呢?
我看了一部爱情电影,男女主角用吵架的方式向我撒满了狗粮,幸而最后没有迹象表面这是一部悲剧!
事情起始于昨夜,男主马尔科姆事业成功的时刻却忘记感谢自己的爱人,女主玛丽再被道歉后,还是没想通!
于是乎在这寂静的四更天女主开始作妖,每当男主兴趣正浓她便开始面露不爽、或玩儿躲猫猫、或语言攻击,于是这精神爱情里的回合式PK,两个独立的灵魂对簿公堂,他们都想要给对方判刑的时刻,万物皆可为武器……较真儿吗!?
感性如他们,才能在一句“我爱你”之后把恶劣即将破碎的关系重置到起点。
这不是简单的给一棒槌发颗糖,至少得是大半的真情流露,本人会害怕失去什么!
才能在厮杀之后,不断坚定的重复“我爱你、我爱你、因为我爱你!
”或者柔情的轻声一句“我爱你!
” 玛丽的演技很棒,她自证演戏那一段被唬住的观主请举手,反正我是和马尔科姆一样看呆住了,我以为女主受了大刺激,疯了!
结果竟是完美的反击!
辩论最后一场以玛丽长话两分半结束,其中数不清多少个“谢谢你”!
像这种从头到脚的男女主对角戏是真的很合适于爱情题材的电影。
这样去感受男女主的行为话语、内心变化、情感表达!
就像爱在三部曲,超长镜头的对话对演员的要求更苛刻,但如果完美演绎出来则更显自然!
我喜欢爱情故事!
《两小无猜》那种极端的自证的爱;《天使爱美丽》那种普通人之间最纯粹的爱;《怦然心动》那种初爱懵懂无所顾忌的爱;《巴黎野玫瑰》那种疯疯癫癫轰轰烈烈的爱;《你的名字》那种科幻而美好让人又重拾信仰的爱;《甜蜜蜜》那种被生活碾碎百味陈杂的爱;《罗马的房子》那种偶遇同性灵魂伴侣无法割舍的爱;《英国病人》那种被禁忌的、一见钟情的、陷入爱的深渊的、最后忽略世俗大义的、连我也双标了的爱……《最爱》(杨宗纬)里面有一句“红颜难免多情,你竟和我一样!
”让我不禁想问生于21世纪的你,你真的希望你自己一生只爱一个人吗!?
这个剧本很好,男主刚刚好是一个导演。
于是本片真正的导演借刀杀人,在剧中把自己对“专业影评人”的怨念掺入一长串的“fuck”,形成一套组合拳让男主表现了一番!
看你们还敢不敢机械的模式化的评论导演们的电影!
1.Down and out in New York City by James Brown2.Selfish by Little Simz/Cleo Sol3.Yum Yum (Gimme Some) by Fatback Band4.Betaminus by Zoot Sims/Jimmy Raney/Jim Hall5.In a Sentimental Mood by Duke Ellington/John Coltrane6.I Forgot to Be Your Lover by William Bell7.Flor de Azalea by Frankie Reyes8.BOA by Sam Gendel/Sam Wilkes9.Get Rid of Him by Dionne Warwirk10.Wasted by NnamdïOgbonnaya11.Goin’ Home by Archie Shepp12.Liberation by OutKast用歌词讲话,不是什么好梗。
有话就说行吗?
累死个人,白眼翻到要去随地大小便。
但我好喜欢这么把音乐放在电影里。
歌单来自片尾字幕。
创建了歌单,随手整理。
因为前两个礼拜看完维伦纽瓦的《沙丘》以后,我就一直沉溺于维导镜头下那满是异域风情的赞达亚。
如今看完了《马尔科姆与玛丽》,我发现她着实是一个潜力十足的演员,改变了当初她刚做蜘蛛侠女友时我对她的看法(她真的越看越好看)。
华盛顿也是在看诺兰的《信条》的时候我印象很深的演员,把这两个人放在一间屋子里一晚上一台戏,我在看到海报时胃口就已经吊足了。
从《曼克》和《罗马》还有《灯塔》以后,我总是在寻找属于这个年代的黑白片,我发现黑白电影总有一种独特的魔力,《马尔科姆与玛丽》满足了我所有的憧憬。
影片讲述了作为新兴导演的马尔科姆,在自己的电影首映完回家的那晚上,与女友玛丽反复争吵的故事,看他们俩吵架简直就是一种享受,囊括了视觉和听觉上的刺激,我对美式幽默有了种新的认识。
片中马尔科姆对不知名白人女影评的谩骂,道出了如今电影评论的一些现状,或许也是导演莱文森对当初来自《洛杉矶时报》那篇评论的直面回击。
两个人的争吵一场紧接着一场,在一个人占了上风以后总会有中途小段的宁静穿插,而后又是另一方的强力反击,循环往复推进影片,将你带入这间屋中细细品味他们对于彼此对于时代的讽刺与抨击,而两个人的感情又在这之中愈燃愈烈,最后被框在窗中,如同一张婚纱照一样被永远挂在卧室墙上。
我印象最深的是后半段有两个镜头对于镜子的使用,让明明记得房间构造的我又开始怀疑这房间的结构, 每个导演对镜子的使用都颇有风味,我想都单独拎出来欣赏一番。
时间有限,好多想谈的都在嘴边徘徊绕不出来,希望看过的朋友有空都能来评论聊聊。
(赞达亚真的好耐看好美好美)
本期望在两人的吵架当中能看到很多思想上的辩论,但真的很肤浅, 对手戏却如此精彩
很Drama的舞台剧
从表演到对白,透出小孩子过家家扮大人般的幼稚。也丝毫看不出复古做旧的必要性。/继续回去做Euphoria吧...
赞达亚还挺美
黑白和爵士配乐选曲都可真配啊~赞达亚拿刀那段完全是Rue附体,点火枪点烟可真赞!看过亢奋特别篇的话就知道,导演很擅长这种风格,本身抱着对JDW期望不高没想到气氛和情绪拿捏很不错,特别喜欢他骂影评那段。以为说出Thank you就结束了,结尾那个画面要多个一颗星。
仿佛看了一场NTLive放映。镜头语言与调度在电影这个层面略显欠缺,但两性拌嘴与创作者吐槽评论界两个主题交织得蛮好,还挺得我心的。多一星给赞达亚惹火到炸的身材和比“登哥”更有层次的表演。
情绪断裂,镜头语言太功利极大地限制了这部电影。Zendaya简直是女神,导演是有多爱她…
“不能因为我是黑人,我做的一切就都关于政治。”
个人私心非常非常非常喜欢这部片子,非常非常非常喜欢。
把情侣间的互相猜忌和爱恨交织表达得细致而有张力,越吵就越觉得这俩人在一起真太合适了!哪怕吵到互相嘶吼谩骂流泪,还是看得我会心一笑,and think it's so lovely╮( ̄▽ ̄"")╭ 不是一场博眼球的性爱才是真爱,反而觉得最后那个ending画面很美很有爱。
强烈的舞台剧和剧集感
这将是两位主演演艺事业的一块黄金垫脚石
心理上很拒绝这样低效的争吵,又羡慕还能有愿意为鸡毛蒜皮的事而争论的TA。
对影评人各种粗口的那一段把我看笑了,以及越来越喜欢话痨片了。
好想按住多动的男主 用太多精力放在了台词上 感官上没有留下足够的喘息机会 看得有点累
2021年的《婚姻故事》前奏版,<Dating Story> or 《情侣相爱相杀》。 爱Zendaya,女神本尊。
drama…演戏还是说rap?
zendaya好美男主rap说的很厉害👍
大型情绪表达现场 我看了三天 断断续续才看完
看完这部电影,像是被一颗子弹击中。每段对话,争吵都很触动我。让我羞耻与惭愧,我讨厌恋爱中自己的自私,自大,狂妄,理所应当,控制欲,患得患失,敏感脆弱,过度自尊,一度让我认为我讨厌恋爱,原来我只是讨厌自己。如何面对自己内心深处的阴暗面,如何与它们相处,是个难题。